This method requires no oxygen, so the submarine doesn't need to maintain or refresh a supply of air from above the surface.Ĭontinue reading to find out why you should never bring a knife to a ballistic-missile fight. Inside the generator, it's reheated and the process repeats. The steam is condensed again in special cooling tubes, and the resulting water flows back into the steam generator. Here, the water is converted to steam and is piped toward the turbine that generates power for the submarine. Inside self-contained piping, the water is directed through a secondary source of water, where it's heated again. This water is under extremely high pressure, which prevents it from boiling. The Submarine Dismantling Project (SDP) finally started at Rosyth in December 2016, around 15 years behind schedule. A coil filled with circulating water is superheated as it's routed past the reactor. Within the nuclear reactor, a neutron is used to split an atom of uranium, producing energy in the form of gamma radiation and heat. the Virginia Class fast attack nuclear submarine with only information that was. Usually, this area is located in the middle level of the ship's forward compartment. The submarine's crew is housed and fed in very tight, efficient quarters called the berthing and mess deck.
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This past Sunday’s episode was no exception as viewers bore witness to some of the darkest parts of the series, specifically as Maddy Perez was targeted by her ex-boyfriend, Nate Jacobs played by Jacob Elordi.Ī post shared by euphoria has been lauded as the show’s It Girl and it’s hard to disagree. HBO’s hit show is without a doubt one of the most talked-about series with weekly episodes trending all over Twitter and Tiktok with reactions to the storylines. And then there’s the character of Maddy Perez played by Alexa Demie, who is of Mexican descent, on Euphoria. If we are not meeting the white male gaze of fetishization we are poked fun at for being chismosas or not being able to speak English “correctly”. From chatty Latina maids to sexual dancing bodies and crazy Latina girlfriends, the roles Latinas are considered for in much of mainstream television live in this realm. Latinas have been pigeonholed into specific kinds of characters that coincide with the narratives writers-mainly white men-have curated. Recently, a Netflix show created by Neil Patrick Harris faced backlash for their stereotypical depiction of a Latina maid. Euphoria may try to show that when people believe they’re in love, they do crazy things, but what they should be portraying is that love does not and should not involve abuse.Latinas in television have been represented in numerous ways, some stereotypical, some barely visible, and some completely whitewashed. They have powerful lust, but everything they do to one another, that’s not love. It’s not love at all, and we want this to be crystal clear. As a teenager, it could be seen as a dark, twisted love. Love.Īgain, we would say that Euphoria is a well put together show, but it’s dark and twisted, it shows these graphic scenes from a teenager’s point of view. Mady’s lies, blackmail, and manipulation are all emotional abuse. They’re both abusive in their own ways, but it is not love. It’s said in Euphoria that Nate and Maddy do love each other, in their own way. Maddy allows him to believe everything is true, she allows this to continue. Nate wants complete control of Maddy, her love, her innocence, he wants everything he believes about her to be true. They’re together, and their love is a twisted type. Of course, they can’t follow these rules. Her family wants to press charges against Nate, and they’re told to stay away from one another. He strangles her–not to death–we all know Maddy is still among the living, but enough to leave bruises around her neck. Maddy has a mind of her own and doesn’t take kindly to this and creates a scene. Later in the season, he sees that she’s promiscuous, she shows up dressed inappropriately. This, of course, is another lie told by Maddy. He saw Maddy as perfect, he saw her as pure and innocent. Everything in Nate’s life must be perfect. He’s overwhelmed with the idea that everything he has to do needs to be perfect. This has been passed through generations in his family. Violence seemed to be the only way to do it. In Nate’s eyes, he’s done what he had to do. Eventually, after breaking into his apartment, Nate beats the guy, almost in a way that should be considered torture. He manages to find the “culprit” and stalks outside his apartment. Maddy is aware of everything that transpired that night, yet she doesn’t accept responsibility for her role in it.Īfter claiming she was blacked out, Nate insists that it should be considered rape. Maddy later claims she was blacked out, she doesn’t remember doing this. They may have broken up, but it’s almost as if he views her as property. She has sex with another guy in a pool at Nate’s party. He believes her to be pure and much more innocent than we know she is. In one of the first scenes when we see Nate’s temper come out, it’s due to Maddy. Courtesy of HBOĭoes Maddy deserve his frustration? Not the way he takes it out on her, but she does seem to do things to intentionally upset him. He’s frustrated with his father, his sexuality, his relationship, he’s frustrated with Maddy. Nate has his own issues, he seems confused, frustrated with his own existence. In Euphoria, Nate and Maddy have the potential to be that popular, powerful couple–if only their relationship weren’t so complex. We’re sure people may remember a certain couple at school, who was referred to as the “power couple.” That would probably be the best way to phrase it. Who had the perfect life in high school? None of us, that’s for sure. None of the characters are perfect–they’re high school students. We’re following the lives of several different characters that are all going through their own trauma. Warning: Euphoria contains violence, extreme sexual content, drug abuse and other material that may not be suitable for everyone, so please be cautious before reading on. “Really, it’s sleep, any changes in behavior, if they’re agitated. Pope also urged parents with children who were there to be aware of signs of trauma. “I think that’s where you really lean on support, whether that’s your church community, music, trusted friends … you just need to talk to someone and get the story out and not sit with all those feelings and emotions,” said Pope. The two said they’re offering therapy and mental health resources for anyone who was at Liberty Station during the shooting. Pope’s co-worker was also in the crowd on Saturday. You’re in denial,” said Ricky Pope, a licensed clinical psychologist. When he was running towards me, the kids were all crying … I can’t even imagine what he was going through. Julienna Endres added, “I saw all these people start running and I said, ‘I gotta go get my son’ and I just booked it. “The shots came out … ‘pop, pop, pop,’ and the whole crowd started flowing out over into this area,” said Chris Endres. RELATED: 1 dead, another injured in shooting at Liberty Station Juneteenth concert Saturday.Īccording to police, the gunfire erupted after a fight broke out.Ĭhris and his wife Jullienna said the first thing on their mind was their 12-year-old son, who was playing at the playground at the time of the shooting. Police confirmed a 20-year-old man was killed and another person - also 20 years old - was injured when the shooting occurred just before 7 p.m. SAN DIEGO (KGTV) – As San Diego Police continue to search for a gunman accused of opening fire at a Juneteenth event at Liberty Station, several eyewitnesses were still trying to process what happened. Swimming and fishing have been banned in the region and people are being advised to drink only bottled or imported water, Prokudin said. Several Western officials have blamed the collapse of the Russian-occupied dam on Moscow.Ī total of 2,699 people, including 178 children, have been evacuated from endangered settlements in the Kherson region since the collapse, the Ukrainian head of the regional military administration Oleksandr Prokudin said in a Telegram post on Saturday. The catastrophe has destroyed entire villages, flooded farmland, deprived tens of thousands of people of power and clean water, and caused massive environmental damage.īut it’s still impossible to say whether it collapsed because it was deliberately targeted as part of Russia’s war in Ukraine or whether the breach could have been caused by structural failure. The collapse of the dam in southern Ukraine on June 6 is one of the biggest industrial and ecological disasters in Europe for decades. “The consequences of ecocide are terrible,” it added. “The Dnipro river flows into the Black Sea, bearing many signs of the devastation caused by Russians,” the ministry said. “A lot of mines, ammunition and other explosive objects are being carried into the sea and thrown onto the shoreline,” Ukraine’s Ministry of Internal Affairs said on its website at the weekend, adding that border guards had observed a “plague of fish” in the area. Floodwaters are receding following the collapse of the Kakhovka dam, but debris washed along the Dnipro river is turning Odesa’s Black Sea coastline into “a garbage dump and animal cemetery,” according to Ukrainian authorities. The album opens up ample space for him grow into.įor now we have this. Place 2 Drown also shows him as a promising young producer, and he is clearly more at home looping and dubbing than he is messing around on guitar. It sits as perfectly here, amid these opiated electronic systoles, as it did with the sombre picking on 6 Feet. Thick and angular and rough, it does little to reveal the scrawny kid behind it. Marshall’s voice is the strongest feather in his cap. It all builds a paradoxical set, a young kid stuck in a romantically post-apocalyptic London, too pissed and idle to do anything about it, too stoned to care. Somethin' in the water contorted her mindĭistorted on the border with war in our eyes The two-act closer Thames Water, Drown’s longest cut, is a collection of eloquent soundbites set over a dying pulse, Marshall intoning by turns: She caught me on the corner getting higher than a bitch. On the lazily propulsive Eye’s Drift, he mutters His themes rotate around romantic missteps and sexual torpor, passed through the bratty filter of bored youth. Marshall’s lyricisms are similarly minimalistic, stringing a few jaunty rhymes together and generally letting the music guide the mood. None of the songs stick around for long, but the changeless tone and rhythm makes them tress into one cohesive whole. Buffed Sky’s background is filled out by roaming atmospherics and skittish static, Marshall moaning about the tribulations of screwing a girl with a boyfriend bent on caving in his head with a chrome bat. Sea Liner MK 1 is unrelenting, a glum and menacing affair, the picture of a night’s out darker closing turns heaving in an alleyway, waiting wobbly-legged for a cab, dreading the head terrors of morning. Every song unwraps like an ephedrine capsule cracking.įor how sepia-toned the music sounds, there are moments when it becomes unsettling and frigid and tense. Though it proceeds at a leisurely pace, its off-kilter sway needles at the eardrums, prickling the knees and lulling the brain. But the album’s warped patterning is no crutch. Swell is one of the only tracks on Drown with a steadfast rhythm, and it benefits greatly from it, riding one uninterrupted wavelength, smooth and assured. Each note on the record seems unhurried and jittery at once, snarling together into the sort of anodyne tracks H-heads can rock to. Scattershot art-drums shuffle and jerk around in odd patterns, and ragged synths slide in and out uninvited. In contrast to 6 Feet’s string tack, Place 2 Drown’s musical direction cuts closer to Marshall’s initial passion – a twist of the kind of sullen, dreamy instrumentals Rawkus Records alumni Black Star and Company Flow favoured in their heyday, and twitchy, stifling dub. Whatever Marshall was trying to accomplish with the nominal switch-up, he gets there much more empirically with Place 2 Drown, a stellar, languid collection of hip-hop, doused in the moody smog of London streets. So it went with King Krule who used his actual name of Archy Marshall to put out his sophomore full-length A New Place 2 Drown, the follow-up to 2013’s 6 Feet Beneath the Moon, a spare collection of spiny guitar tracks, Krule half-rapping, half-singing over it. A listener can’t help but wonder if the new project carries more personal attachment, or if a drastic change in style warranted a new name on the album jacket, or whether the musician felt too old to trade in pseudonyms. It’s all too easy to make pre-emptive existential assumptions when a musician ditches a moniker and records an album under his birth-name. I wouldn’t sit through that crap, again, for free. I laughed during the middle of the show really hard because I could not believe I paid so much for something so bad. Tape Face needs to keep his mouth taped and go solo with some funny material. Really, really stupid and a complete waste of money for terrible material and annoying stage crew. Another 1/2 hour of his dumb teams’ attempt to provide completely imbecile slap stick comedy to fill time. Most of his “act” was a replication of his “good stuff” from AGT which probably took up 1/2 hour. It’s like a cross between Blues Clues, the Chucky Cheese band, the old man from The Muppets balcony, and Hee-Haw. He has a really annoying, over the top, team of four additional and very unlikable characters who accompany him on stage. The show consisted of Tape Face who comes out not in character prior to getting into character (poor choice-he shouldn’t be out of character at his show) and talks for a while presumably to stall because he doesn’t have enough material to fulfill the hour/hour and a half show. Paid almost $400, for 3 of us, because the 3 seat packages were sold out, we had to buy a 4th seat for no one. Your thoughts on this week’s AGT: Champions? Vote for your personal favorite acts in our poll, then drop a comment below.We were a fan of Tape Face from AGT and were ending our week with his show. Under a hail of confetti, Brian Justin Crum finished on top. Tape Face and Drew Lynch (a tie!) finished in third place, followed by Paul Zerdin in second. With Kechi Okwuchi already through to the finale, thanks to the magic of the Golden Buzzer, it was up to the “states” to fill the other vacant slot. And don’t ask me how Eniba made it look as though one of the robots cut him in half - this guy is a wizard. KENICHI ENIBA | The winner of AGT Season 8 wrapped things up with a wacky dance routine, complete with a tiny robotic dog, a giant robotic villain and… well, just a lot of robots, really. (Come to think of it, he would have been good to have around last night as an understudy for Roger in Fox’s Rent.)ġ0. It was an incredible performance that got everyone, Cowell included, on their feet. BRIAN JUSTIN CRUM | Two years after placing fourth on AGT Season 11, this inspirational singer returned to the Talent stage armed with the most ludicrously dramatic version of Elton John’s “Your Song” that you will ever hear in your life. (I don’t blame him, but I feel like it was risky to scare this guy with a buzzer while he was in the middle of swallowing a tiny blade, no?)ĩ. The Professional Regurgitator, who has appeared on eight separate Talent shows around the globe, earned the season’s second “X” from Cowell, who simply couldn’t handle his nauseating antics. THE PROFESSIONAL REGURGITATOR | Just when you thought this guy couldn’t get any more disgusting… he started taking requests. A finalist from Season 12 of AGT, Okwuchi - a burn victim whose experience on AGT helped her stop feeling like a “survivor” and start feeling like a “singer” - woke up the crowd with a powerful rendition of Calum Scott’s “You Are the Reason.” After she received praise from the other judges, Cowell crushed Okwuchi’s spirits by telling her “didn’t like it.” Wait for it… he loved it! So much so, in fact, that he gave her the coveted Golden Buzzer.Ĩ. KECHI OKWUCHI | Well, it doesn’t get much more inspirational than this. It wasn’t anything amazing, but it was fun while it lasted.ħ. MOONLIGHT BROTHERS | An interesting change of pace, this dancing duo - which won Season 4 of Denmark’s Got Talent - amused the crowd with a funny, high-energy act. PAUL ZERDIN | The winner of AGT Season 10 attempted something he said he’s never seen in a ventriloquist act: a duet (of sorts) with his puppet pal Sam. Backed by Zerdin’s surprisingly impressive beat boxing, Sam hummed the tune to Suzanne Vega’s “Tom’s Diner.” It was fun and original, but I feel like there was a little too much build-up for what ended up being a fairly simple trick.ĥ. Cowell straight-up told Lynch that this wasn’t the best he’s seen from him.)Ĥ. In fact, the judges enjoyed his jokes so much, they unanimously agreed that his routine was “too short.” (Well, most of the judges. DREW LYNCH | The inspiration stand-up comic, who developed a stutter as the result of a sports-related injury, made a triumphant return to the stage since placing second in AGT Season 10. THE TEXAS TENORS | Even without David Hasselhoff around to toot their collective horn, these country/classical crooners - who placed fourth in AGT Season 4 - managed to enchant the judges with a harmonious, multi-lingual performance of the Righteous Brothers’ “Unchained Melody.” Heidi Klum loved their schmaltz, while Cowell told them they’ve gotten even better with age.ģ. La Brea’s Wildest Twist Yet? Here’s the Truth About That Mysterious Season 3 Cast Addition (Exclusive)Ģ. Besides providing deployment pipeline access only to a specific group of people, there isn’t a native approval process for deployment. Release approvals are also lacking in Power BI.include a Bonita project (and not a Bonita workspace) The. At the time of writing this blog, there is no way to maintain versions of Power BI content within the platform. Git Prerequisites Git integration in Studio Conflict management. Creates a new Power BI workspace called 'New Workspace' and adds the current user as the workspace administrator. Version controlling is still a missing element for Power BI.The default Deployment Pipelines feature with Power BI Premium can be great for a lot of things moving content through the development lifecycle, changing data sources, managing workspace content, and more.Īlthough they are great for straightforward deployments, there are several key elements that Power BI Deployment Pipelines do not allow for that can be done using a CI/CD pipeline: In this blog, we will cover how to build an automated and customized CI/CD (Continuous Integration / Continuous Delivery) pipeline that integrates with Power BI using Azure DevOps. Are they building on top of the company data warehouse (e.g. You can use the build.ps1 script to build and package the. Deploy all/selected items in a Power BI pipeline to the next stage. Although the out-of-the-box deployment pipelines can be very useful, there are times when the deployment requirements necessitate using a customized deployment pipeline with additional capabilities. One of the first steps you might take is determining what data sources they’re using. Manage Power BI pipelines from start to finish, including creating a pipeline, assigning a workspace to any stage, deploying and deleting the pipeline. If your organization is utilizing Power BI Premium Capacity for your Power BI reporting, deployment pipelines are an easy feature available to help manage and move Power BI content through development, test, and production workspaces. Integrating Power BI with GitHub allows you to analyze code repositories, track development metrics, and visualize software development workflows. A Finnish group called “4R” has its own version of U2’s signature sound. Japan has a prospering alternative-music scene, from the thrashprogressive group Ruins to the Ramones-style “girl group” Shonen Knife. Germany and other European countries have thriving local hip-hop scenes. Karaoke clubs around the world offer locals the opportunity to sing-to be-Madonna or Bruce Springsteen for a night. Along the way, rock- and those related styles such as rap and R A 7.5 minute quadrangle map and compass, and associated route finding skills are necessary. There are no obvious landmarks to assist the backcountry user with trail direction. Sections of trail vanish under deep snow for more than one mile. Footwear with good traction, and stream/river crossing skill and experience are strongly advised. Swift, cold water and treacherous footing exist at unbridged stream and/or river crossings. Sturdy hiking boots suitable for over-snow travel, a map and compass, and route finding skills are also necessary. An ice axe, and the skill to safely execute a self arrest are strongly advised. Sections of trail traverse steep, sometimes icy snowfields. If a trail has not been cleared, it may not mean that it is impassable but only that no maintenance has been done and the actual condition may be unknown. Other maintenance activities such as brushing, erosion control and special project work may take place at any time of year and should not greatly hinder travel. Initial maintenance work done by park crews to clear downed trees or any other obstacles that may hinder travel. Throughout the sub-district trail segment lists, the following terms are used: Minimal maintenance is performed through the winter months. Trail and campgrounds go into winter status. Ptarmigan Tunnel doors usually close by late September. Most seasonal suspension and plank bridges are all removed by late September. Bears are most active at this time of year, foraging for up to 20 hours a day. Snow storms may deposit lingering snow, requiring map and compass skills for route finding. Some Septembers are as nice as August, but there is a now a greater chance of significant snow fall. Backcountry Campgrounds are open but may close at any time due to bear activity or forest fire for days or weeks. Generally, snow and water hazards are gone although water hazards may suddenly re-appear after thunderstorms. The majority of the backcountry campgrounds are open by mid-July although the routes connecting the campgrounds may still be impassible.Īugust 1 – Aug 31 Accessible High Country Snow drift blasting and treading is usually completed by Trail Crew by the end of July. Generally, Ptarmigan Tunnel doors open in mid-July. Seasonal suspension and plank bridges are all installed by mid-July. Melting snow presents dynamic hazards at higher elevations, ice axe often recommended. Trails dry out and firm up at lower elevations. Backcountry Campgrounds earliest scheduled openings begin June 15th, but the Belly River region in the northeast and the North Fork region in the northwest are often accessible in May. Snow conditions can change daily: icy in the morning, soft in the afternoon. Expect snow cover at higher elevations and be prepared with map and compass skills for route finding, and ice axe and crampons for crossing steep slopes. Seasonal suspension and plank bridges start to be installed in late May. Water crossings are deep, swift, and cold. Trails are often muddy and covered in puddles or flowing water at lower elevations. Be aware that mountain weather is unpredictable always be prepared for a variety of conditions. The following generalizations are provided for your convenience to better understand what you may encounter when backpacking or day hiking in Glacier. |
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